Author: Antoine Chung

Creative genius.
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Kendrick Lamar Sweeps 2025 BET Awards with Visual & Musical Mastery

Kendrick Lamar at the BET Awards 2025

At the 2025 BET Awards, Kendrick Lamar once again proved why he’s not just a rapper, but a force of creative expression—winning five of the night’s most prestigious honors and reminding the world of the power behind a well-executed vision.

Held at the Peacock Theater in Los Angeles and hosted by comedian Kevin Hart, the 25th anniversary of the BET Awards wasn’t just about the music—it was a celebration of Black excellence, bold creativity, and boundary-pushing artistry. And Lamar? He dominated.

A Night of Major Wins

Lamar’s critically acclaimed album GNX took home Album of the Year, triumphing over giants like Beyoncé, Chris Brown, and Doechii. His cinematic music video “Not Like Us” earned Video of the Year, while his soulful duet “Luther” with SZA won Best Collaboration.

He also earned his record-breaking eighth award for Best Male Hip-Hop Artist, and alongside his longtime creative partner Dave Free, took home Video Director of the Year—a nod to the storytelling power behind his visuals.

In his acceptance speech, Lamar paid homage to BET’s cultural legacy:

“BET has always made sure they’re representing the culture right and always put me in the midst of the cycle of what we represent.”

More Than Music—It’s Culture in Motion

At Cover Art Express, we celebrate moments like these—where vision, message, and design collide. Kendrick Lamar’s clean sweep at the BET Awards highlights something we stand for: great visuals carry weight. Whether it’s album covers, music videos, or merch design, how your work looks tells just as much of a story as the lyrics do.

This is the kind of storytelling that fuels our team. From the way “Not Like Us” gripped viewers visually, to how “Luther” moved audiences sonically and emotionally—each win wasn’t just about sound, it was about impact. That’s the level of artistry we strive to bring to every project we touch.

A Cultural Celebration

The night also honored icons like Mariah Carey, Snoop Dogg, Kirk Franklin, and Jamie Foxx with the Ultimate Icon Award—a reminder that influence isn’t momentary, it’s earned through years of creativity and courage. And with standout moments from Doechii, SZA, Chris Brown, and actors like Denzel Washington and Cynthia Erivo, the evening was more than a show—it was a movement.

What It Means for Creatives

Kendrick Lamar’s success at the BET Awards is more than just a personal achievement. It’s a call to creatives everywhere to dig deeper, create boldly, and present their vision with precision. Whether you’re dropping a single, launching an EP, or debuting your merch line—how it looks and feels matters.

At Cover Art Express, we help artists, labels, and brands translate that energy into stunning visuals—album covers, lyrics videos, merch designs, and more—because your message deserves more than just noise. It deserves presence.

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Jamaican Creatives, Protect Your Art: What the Eminem vs. Meta Lawsuit Teaches Us About Copyright and Opportunity

In a bold legal move making headlines globally, Eminem’s publishing company, Eight Mile Style, has sued tech giant Meta for a staggering $109 million over alleged unlicensed use of the rapper’s music across Instagram, Facebook, and WhatsApp. According to court documents, Meta reportedly allowed 243 of Eminem’s tracks to be used in user-generated content without proper licensing—a violation Eight Mile Style argues has generated billions of views and significant profit without fair compensation. This landmark case highlights a critical issue facing creatives worldwide, especially Jamaican artists: the importance of protecting your intellectual property in the digital age.
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For Jamaican musicians, designers, and content creators, the lawsuit serves as a wake-up call. Whether you’re crafting music, visual art, or branded content, ensuring your work is legally protected is non-negotiable. That’s where Cover Art Express steps in. We don’t just design stunning visuals—we offer you a creative partnership that ensures your brand, cover artwork, and visual content are original, market-ready, and built to stand strong in an age of copyright battles. Our services include cover artwork, flyers, music visualizers, lyrics videos, and even website maintenance—all tailored for modern Jamaican creatives ready to make waves while guarding their brand identity.

If a billion-dollar company like Meta can allegedly misuse intellectual property, imagine the risks for smaller creators without legal and visual protection. At Cover Art Express, we empower creatives like you to rise above the noise—not just artistically, but legally. Don’t just post your art—protect it, brand it, and present it like a pro. Reach out today to learn how our packages can help you not only stand out but also stand firm in your creative rights.
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Rihanna Returns: Giving birth to New Music with the Smurfs

After nearly a decade of silence on the album front, global icon Rihanna is finally giving fans something to vibe to, and it’s wrapped in an unexpected but colorful package.

The multi-hyphenate megastar is making waves once again, this time as both the voice of Smurfette and the voice behind “Friend of Mine”, her first single in three years, featured on the upcoming Smurfs movie soundtrack. The animated musical, directed by Chris Miller (Shrek the Third, Puss in Boots), follows Smurfette leading a heroic mission into the real world to rescue Papa Smurf — voiced by none other than John Goodman — from sinister wizards Razamel and Gargamel.

But it’s the sound of the film that’s grabbing headlines.

The new single, Friend of Mine, teased in the film’s latest trailer, is a breezy Afrobeats-inspired dance track that captures Rihanna’s unmistakable voice and her love for rhythmic, feel-good music. Fans got a behind-the-scenes glimpse of the star in her element — laughing, headphones on, immersed in the studio vibe — as the song played over scenes of blue-tinted adventure and animated mischief.

For music lovers and Rihanna’s loyal Navy, this marks a significant moment. The last we heard from her musically was in 2022 with the Oscar-nominated ballad Lift Me Up, a powerful tribute to Chadwick Boseman from Black Panther: Wakanda Forever. And before that? 2016’s Anti — a groundbreaking album that left fans hungry for more.

Now, with Friend of Mine officially dropping on May 16 and the Smurfs movie slated for release on July 18, the music world is buzzing with anticipation. Rihanna recently revealed she has “cracked the code” on her next body of work and is feeling “really good” about where her sound is headed. If this new release is any indication, we can expect a bold, refreshing new chapter — both sonically and visually.

At Cover Art Express, we know moments like this aren’t just about the music — they’re about the visual narrative that connects fans to an artist’s journey. From album artwork to animated features, from promotional design to vibrant visualizers, Rihanna’s return reminds us why art direction is as crucial as the music itself.

So whether you’re an artist looking to release your next single or a creative dreaming up your own animated masterpiece, let this be your inspiration: Great music needs great visuals.

Cover Art Express is here to bring your creative vision to life — because every sound deserves a stunning look.

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THE WARLORD RETURNS: Bounty Killer’s Comeback at Barclays Center Signals a Historic Dancehall Moment

After 15 long years, dancehall royalty Bounty Killer is finally returning to U.S. soil, and it’s nothing short of a cultural earthquake. Set to hit the stage at the 18,000-capacity Barclays Center in Brooklyn on Saturday, July 5, 2025, this Independence weekend performance marks a major chapter in Jamaican music history—and a full-circle moment for one of the genre’s most influential figures.

For us at Cover Art Express, this is more than just a concert. It’s a masterclass in branding, resilience, and the power of iconic visual and lyrical storytelling. From his gritty street anthems to larger-than-life collaborations with artists like Busta Rhymes, No Doubt, and The Fugees, Rodney “Bounty Killer” Price has always understood how to craft a persona that transcends borders. Now, Brooklyn—his home away from home—is ready to welcome him back in grand style.

A Homecoming Like No Other

The buzz surrounding The Return of the Warlord is electrifying. Not only is this Bounty’s first U.S. performance since his visa was revoked in 2010, but it’s happening in Brooklyn—the very place where his breakout hit Coppershot first shook the American airwaves in 1992. According to Anthony “ER Guru” Turner, the energy in the borough is already palpable: “It nah guh normal.”

His longtime manager, Paul “Bankie” Giscombe, said it best: “Brooklyn is where his U.S. journey began… so it’s only fitting that his return happens there.” Presented by Reggae Fest’s CJ Milan, the show is expected to draw thousands from across the U.S., not just for the music, but for what it represents—redemption, legacy, and impact.

Dancehall’s Visual Identity & the Power of Iconic Moments

As a platform focused on graphic design, visual branding, and creative marketing in the music industry, Cover Art Express sees events like this as key cultural moments. They shape the aesthetic of an entire genre.

Bounty Killer’s comeback is the perfect example of how an artist’s brand isn’t just about music—it’s about storytelling, consistency, and image. From the menacing silhouette often featured on his album covers to the raw visuals that accompany tracks like Fed Up and Down in the Ghetto, Bounty’s artistic direction has always matched the energy of his lyrics.

And when fans hear those iconic horns or that commanding voice say, “People Dead!”—they see a whole legacy unfold. That’s the power of visual identity. That’s what we aim to capture in every project we touch at Cover Art Express.

Mentorship, Legacy & The Next Generation

Beyond the stage, Bounty’s influence has birthed the careers of major dancehall stars like Vybz Kartel, Mavado, and Elephant Man. His eye for talent and commitment to the culture makes this Barclays performance even more symbolic. It’s not just his return—it’s a beacon for every artist who dreams of taking Jamaican music to the world.

Final Word

Whether you’re a longtime fan or a new listener catching the wave of dancehall’s global reach, Bounty Killer’s return is a historic moment worth celebrating visually, musically, and culturally.

At Cover Art Express, we’ll be watching this event closely—not just to enjoy the music but to draw inspiration from the legacy of an icon who proves that art, identity, and authenticity never go out of style.

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Sean Kingston and his mother found GUILTY 

Jamaican-American singer and rapper Sean Kingston alongside his mother, Janice Turner, have been convicted on four counts of wire fraud and one count of conspiracy to commit wire fraud. Their charges stemmed from allegations that they had defrauded various businesses, including a jewelry company, a luxury bed manufacturer, a high-end car dealership and a luxury microLED TV company since October 2023. The defrauded amount is reportedly over $1 million USD. Following a raid of Kingston’s Florida home in May 2024, he was arrested. Evidence presented in court included fake wire transfer receipts the duo allegedly used as proof of payment. A damning piece of evidence was a text message Kingston sent to his mother stating: “I told you to make [a] fake receipt,” followed by: “so it [looks] like the transfer will be there in a couple of days.” In August, both had pleaded not guilty to organized fraud in a Florida court. 

From March 24 to 28, the two were on trial in a Broward County, Florida courthouse. After three and a half hours of deliberation, the jury delivered a guilty verdict, prompting an emotional reaction from Kingston, who reportedly clasped his hands and cried in court. Kingston, whose real name is Kisean Anderson, was placed under house arrest until sentencing. Meanwhile his mother, 61 year-old Janice Turner, was immediately taken into custody, with the judge citing her criminal history and central role in the scheme as reasons for denying her release. Turner was described as the “operator, fixer, and accountant” behind the fraudulent activity. 

Kingston initially rose to fame in 2007 with Beautiful Girls, which topped the Billboard Hot 100. In February, he was celebrating his first-ever Grammy victory. He contributed as a songwriter to Sensational, a track from Chris Brown’s 11:11, which won the Grammy for Best R&B Album. Now facing up to 20 years in prison, sentencing is scheduled for July 11, with Turner’s hearing set for 9 a.m. and Kingston’s at 11 a.m. Beyond the federal case, both defendants are also facing similar state charges. 

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Bounty Killer Regains US Visa After 15 Years, Marking Triumphant Return

After a long 15-year wait, dancehall icon Bounty Killer has officially regained his US visa, making his long-anticipated return to the United States. The legendary deejay, born Rodney Pryce, shared the monumental news with fans and well-wishers, expressing deep gratitude for the support he received throughout his journey.

Bounty Killer, who had his visa revoked in March 2010, never wavered in his faith and resilience. Announcing his return on social media, he posted a photo of himself on a plane with the caption: “God is the greatest all the times despite how it may seem. In March 2010, my visa was revoked for reasons unknown. Fast forward 15 years later—today, March 2025—I arrived in the States with no hassle. The greatest thing? I never had to beg, bend, or bow. I stayed true to myself—vigilant and resilient.”

The entertainer’s statement resonated deeply with fans and fellow artists, sparking a wave of congratulatory messages. Dancehall and hip-hop stars such as Vybz Kartel and Swizz Beatz celebrated the announcement, with Kartel posting a plane emoji and the hashtag #GodIsTheGreatest, while Swizz Beatz responded with multiple fire emojis.

A central figure in dancehall for decades, Bounty Killer took the opportunity to acknowledge those who stood by him, including his late mother, Ms. Ivey, and his manager, Paul ‘Bankey’ Giscombe. “First and foremost, I want to acknowledge and express my deepest gratitude to God, the source of all my blessings. I also extend my heartfelt appreciation to my beloved mother, Ms. Ivey. May she rest in peace. To my dear friend, brother, and manager, Paul Giscombe—’Bankey’—I am forever grateful for your relentless pursuit to restore my visa. Bankey, you never lost hope, even after multiple rejections.”

Bounty Killer’s legal team, family, friends, and fans also played a crucial role in his journey back to the US. He thanked the US Consulate General and embassy staff for their professionalism and support during the visa application process. “Big thanks to my incredible lawyer who put this final application together and made its success a reality. Finally, I want to thank all my beloved family, friends, and fans worldwide who have consistently supported me throughout this journey. Your love and encouragement have been a source of inspiration.”

This milestone follows his UK visa reinstatement in 2023, marking his long-awaited return to international stages. Other dancehall giants, including Beenie Man, Aidonia, Sizzla, and Mavado, also faced visa revocations in 2010. While Aidonia and Mavado have since regained their US travel privileges, Beenie Man’s visa was reinstated last year.

Now back on American soil, Bounty Killer’s return is a testament to perseverance and the unbreakable spirit of dancehall music. Fans eagerly anticipate his upcoming performances, signaling a powerful new chapter in his career.

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Mavado Responds to Arrest Warrant Issued in Jamaica

International dancehall star Mavado, real name David Brooks, is reportedly “very surprised” to learn that an active warrant for his arrest remains in effect in Jamaica.

Deputy Superintendent Randy Sweeney, head of the St Andrew North Police, confirmed that the entertainer is wanted for assault occasioning actual bodily harm related to an incident in 2018. However, he declined to disclose details of the case.

The warrant was issued on June 9, 2018, following a complaint from a man who was previously arrested and charged for allegedly opening fire on Mavado during the same period.

Mavado’s attorney, Oswest Senior-Smith, stated that the artist has always denied any wrongdoing, particularly the alleged assault.

In 2022, Mavado, who currently resides in the United States, publicly criticized the Jamaican authorities, calling the warrant “fake” and accusing certain officers at the Constant Spring Police Station of corruption.

As the legal situation unfolds, the dancehall community continues to follow the developments closely.

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Voletta Wallace: The Mother Who Shaped the Notorious B.I.G.’s Legacy

Voletta Wallace, the mother of legendary Brooklyn rapper the Notorious B.I.G., passed away at 78 on Friday at her home in Stroudsburg, Pennsylvania. Her death was confirmed by the Monroe County coroner, though no cause was immediately specified.

A dedicated mother and immigrant from Jamaica, Voletta Wallace was thrust into the limelight following the tragic death of her son, Christopher Wallace, also known as Biggie Smalls, who was killed in a drive-by shooting in Los Angeles in 1997 at the young age of 24. His death came just six months after the fatal shooting of rapper Tupac Shakur, igniting a rivalry that would forever mark the history of hip-hop. The murder of both artists, which remains unsolved to this day, continues to fuel investigations, documentaries, and books.

Voletta was a preschool teacher who not only had a strong influence on her son’s early musical tastes but also played a pivotal role in his posthumous success. After Biggie’s death, his second album, Life After Death, was released just two weeks later, and Voletta stood by his legacy, even accepting an MTV Video Music Award on his behalf. She famously told the crowd, “I know if my son was here tonight, the first thing he would’ve done is say big up to Brooklyn.” A few years later, she joined Tupac’s mother, Afeni Shakur, at the MTV awards to promote unity and honor the legacies of both artists.

Beyond her involvement in her son’s career, Voletta Wallace also worked tirelessly with other mothers who had lost children to violence in the music industry. Through her foundation, the Christopher Wallace Memorial Foundation, and its B.I.G. (Books Instead of Guns) Night Out initiative, she promoted literacy and positivity to counteract violence. “All I want to do is put a book into a child’s hand,” she stated in 2003. “Books do not kill. But weapons do.”

In 2002, Voletta, alongside her son’s widow, Faith Evans, filed a wrongful-death lawsuit against the Los Angeles Police Department, accusing them of mishandling the investigation into her son’s murder. Though the case eventually ended in a mistrial and was dismissed, it highlighted her unwavering quest for justice.

In addition to her work as an advocate for justice, Voletta also participated in the 2009 biopic Notorious, where she served as a producer and was portrayed by Angela Bassett. She even worked closely with Jamal Woolard, the actor who played her son, offering guidance to ensure an authentic portrayal.

Through her influence, Biggie’s legacy as one of hip-hop’s greatest icons has endured. Voletta often spoke of her early musical influence on him, sharing how they both enjoyed a mix of reggae, jazz, and country music in their Brooklyn home. Her own love for country music, particularly artists like Willie Nelson and Kris Kristofferson, was something that shaped the rapper’s musical tastes from a young age.

Born in Trelawny Parish, Jamaica, on February 3, 1953, Voletta was the daughter of a farmer and butcher and the mother of nine siblings. She moved to the United States as a young woman, where she later met George Latore, Biggie’s father. After her son’s birth, Voletta chose to focus on raising him, prioritizing his future over her own personal life.

Voletta Wallace leaves behind her two grandchildren, Christopher Jordan and T’yanna Wallace, continuing her son’s legacy through their lives.

Her dedication to her son’s memory, her involvement in social justice, and her contributions to the music industry have left an indelible mark on hip-hop culture and beyond. Through Voletta’s tireless efforts, the Notorious B.I.G.’s influence lives on, reminding us all of the powerful bond between a mother and her child and the enduring legacy of a musical legend.

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Is Buying Views a Bad Thing?

In the music and entertainment industries, visibility can be the difference between staying undiscovered or making it big. Artistes today face unprecedented competition, with countless performers, musicians, and entertainers vying for the spotlight. For many, buying views has become a strategy to stand out in this crowded space. While this approach is often a controversial topic, it offers many benefits to artistes looking to expand their fanbase. For artistes, the main aim is to get noticed, there are many ways to do this, buying views is just one of them. Despite the constant outcry against bought views and likes (especially on youtube), It is safe to say that buying views isn’t necessarily a bad thing as it can become an asset to attract potential subscribers, create momentum, level the playing field for less established artistes and increase reach with fewer resources.

  1. Attracts Potential Subscribers and Creating Momentum

A higher viewership can create an opportunity for viewers to become more interested in a channel and encourage them to further explore its content. A major challenge for upcoming artists is gaining traction. Even when the content posted may be exceptional, sometimes it can become lost in the sea of content. Artistes  may want to increase their growth quickly, buying views can help with this because a sudden momentum can catch the attention of an algorithm that prioritizes content. It is a budgeted cost for many musicians and music executives as this small nudge can be instrumental in reaching a broader audience, ultimately attracting opportunities to work with brands and gain attention from other possible business partners.

  1. Leveling the Playing Field for Less Established Artistes

Established artists often benefit from large, dedicated fan bases that drive high engagement with their content, while emerging artists face challenges in achieving similar visibility. For newer talent, purchasing views can help level the playing field by advertising their content to stand alongside that of more prominent personalities. This boost can provide them with a fairer opportunity to showcase their talent, thus leveling the playing field, and reach audiences that may have otherwise overlooked their music.

  1. Increasing Reach with Fewer Resources

Promoting music or content on a large scale can be costly, and many artistes don’t have the financial resources for extensive advertising campaigns. Purchasing views offers a budget-friendly way to enhance visibility, particularly for artistes looking to reach international audiences. With a high view count, they’re more likely to attract the attention of new listeners around the world, opening up opportunities for cross-cultural reach and connection.

Buying views isn’t a substitute for great music or meaningful content, but when used strategically, it can help artistes build momentum in an increasingly competitive market. Like traditional advertising, buying views can be a practical tool in an artiste’s marketing strategy. When balanced with authentic engagement and quality work, it can be an effective way to expand visibility and support an artiste’s long-term success. For those looking to break into the industry or grow their following, buying views might just be the push they need to turn dreams into reality.

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King Charles III’s heart songs are by Jamaica’s Legends.

King Charles was delighted when invited by Apple Music to share a selection of songs he has enjoyed over the years in a special broadcast celebrating Commonwealth Day. The playlist featured music from across the Commonwealth and around the world, making it an innovative and engaging way to mark the occasion.

Music has always held deep meaning for the King, as it does for many others. It possesses a remarkable ability to evoke cherished memories, offer comfort in difficult times, and transport us to distant places. More importantly, music has the power to uplift our spirits and unite us in celebration. In that spirit, the King was eager to share a diverse selection of songs that have left an impression on him.

The show opened with the King’s Guards performing Could You Be Loved by the legendary Bob Marley. This song brought back fond memories of his visit to Jamaica in 2008 with his late wife, where Rita Marley helped organize a concert featuring some of Bob Marley’s greatest hits at the then Prime Minister’s residence—an unforgettable experience.

This year, Bob Marley would have turned 80. Reflecting on his youth, King Charles recalled meeting Marley at an event and being struck by his infectious energy, deep sincerity, and unwavering commitment to his community. He remembered Marley’s powerful words: “The people have a voice inside of them.” Through his music, Marley gave that voice to the world in a way that remains unforgettable.

The King also paid tribute to the Windrush generation, whose contributions have greatly enriched British society. Among the many extraordinary artists from that era, he highlighted Millie Small, whose hit My Boy Lollipop catapulted her to international fame over 60 years ago.

Other artists featured in the King’s selection included the iconic Grace Jones, with her mesmerizing rendition of Édith Piaf’s La Vie en Rose, as well as performances by Jools Holland and Ruby Turner, and the smooth vocals of Michael Bublé.

Through this musical journey, King Charles celebrated the rich cultural diversity of the Commonwealth and the profound impact of music in bringing people together.

https://music.apple.com/us/station/the-kings-music-room/ra.1799250540